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With such notable former incarnations as The Black Neon (Webster), The Squire Of Somerton (Jenkins) and Fort Lauderdale (both of them), Jenkins and Webster's musical caliber is obvious from the outset. But some ineffable quality of Higamos Hogamos stands out further yet from this list of divergent talent past - perhaps it's something in the unholy union of a fetishism for analogue synthesizers and the sexual exuberance of 70's rock n' roll, an electronically enhanced blend of swaggering kosmische that somehow naturally fits into the wyrdest end of the English psychedelic tradition.

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